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Richard Hosking,
Paranormal Investigator
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Kubrick's unrelenting perfectionism was evident when it came to designing the mysterious alien monolith, which appears at various points throughout the film.
Kubrick's long space shots establish tone and realism for a film shot before the Apollo moon walks.
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Sam Hayden,
Gothic Nightclub Owner
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Its fans love it but most people hate it because of Kubrick's style of storytelling.
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Rob Bruff,
Nightclub Bouncer
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Kubrick's powerful use of the dolly shot leapt into cinematic parlance as a "Kubrick dolly shot" defining the technique of moving the camera either forward or back while shooting straight on to maintain a pristinely center-framed composition.
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Todd Porter,
Gym Attendent
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I remembered that I was not allowed to enter the cinema with them to see Kubrick's Mechanical Orange because I looked too young, but Torrano managed to enter even though we had the same age.
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Adam Findley,
Professional Motivator
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Kubrick's "no compromise" reputation was burgeoning at the same time as mythology was developing around his personality traits and work methods.
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Anita Ganesh,
Poet
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But Kubrick's film, whatever its other faults, captured that ambivalence and communicated it to the audience; it got you to feel sorry for a pathetic monster but never urged you to applaud his cruelty.
STANLEY KUBRICK'S 1962 film about a sexually precocious young girl who becomes involved with a mature professor.
Steven Spielberg took over friend, mentor, and legend Stanley Kubrick's pet project after his death which is the story of a robot boy who was made to love and his journey back to his owner.
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Jack Crawford,
WWII Veteran
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Paths of Glory Stanley Kubrick's excellent WW I film about three men that are chosen at random to be executed as punishment for their regiment's inability to successfully carry out a stupid and suicidal attack.
Stanley Kubrick's 1987, penultimate film seemed to a lot of people to be contrived and out of touch with the '80s vogue for such intensely realistic portrayals of the Vietnam War as Platoon and The Deer Hunter.
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Mark Harris,
Priest
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Kubrick's challenge was to maneuver Nabokov's erotic and verboten sexual matter past the Code Seal censors and the all-mighty and omniscient Catholic church.
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